Top Spots for Beach Photography in Fort Myers

Top Spots for Beach Photography in Fort Myers

When it comes to beach photography in and around the Fort Myers area, there’s no shortage of options. From senior pictures to engagement photos and everything in between, the beach is often the perfect setting.

With so many choices, it can be a challenge to find the right location. But once you’re familiar with the area and what it has to offer, it won’t be long before you’re setting up shop and getting ready for an experience you’ll remember for the rest of your life.

Over the years, we have taken beach shots all over Fort Myers, but here are some top spots:

  • Cayo Costa State Park: With more than nine miles of beach, there’s an abundance of settings to choose from. Add in the sheer beauty of the surroundings, and you can spend hours on end here without ever taking the same shot twice.

Cayo Costa State Park Photography

  • Blind Pass Beach: Some people call it Blind Pass, others call it Middle Beach, but regardless, you can expect top notch scenery to make your photos special. With roughly 3,000 feet of beach frontage, it takes some exploring to find the perfect spot – but that’s part of the fun. When you’re done at the beach, you can hike the trail through the mangrove forest for more photo opportunities.

Blind Pass Beach Photography

  • Bowman’s Beach: In addition to being one of the most well-kept beaches in the area, Bowman’s Beach has a surprisingly private setting. This provides the perfect opportunity to get some great photos, without distractions. Tip: this area is known as one of the best places to watch the sun rise and set, so you may want to setup your shoot for one of these times.

Bowman’s Beach PhotographyWhile these are among the top spots for beach photography in Fort Myers, there are others to explore. And with our help, you won’t have any problem finding them!

Lights-Camera-Sit-Stay!

Lights-Camera-Sit-Stay!

I am incredibly lucky to make my living taking photographs. In my two decades of experience, I have photographed a widely diverse group of subjects.

But, I ‘m fascinated and inspired by people and their pets that come into the studio.

Recently, Elaine and her Havenese Alice came in for their family portrait.  From the moment they came in, the devotion, joy and happiness were evident in owner and canine companion.

Alice was so expressive! I kept her focused with conversation and maybe a treat or two.  She responded confidently to every command from Elaine. And, she just knew that she looked her holiday best with red and green bows on her ears.

When I work with people and their animals, I keep the backgrounds very simple allowing for both human and canine personalities to reflect back to the lens. I used a few retouching techniques to scale back the color on Elaine’s sweater providing an interesting contrast.  This image was selected as a wall portrait and will be prominently displayed for friends and family to enjoy for years to come.

How To Take Great Holiday Photos

Tis the season!  Making sure that those photos from the holiday lights and the family gatherings look amazing can be a challenge. Here are a few tips to make sure that everyone in the family looks great and you get both indoor and outdoor shots that are just right.

TIP #1- When Taking Great Holiday Photos, It’s All About Creativity

It’s darker outside much earlier so take advantage of the twinkling lights and candlelight. Turn off your flash whenever possible. Holiday lights look their best without added light sources.

TIP #2- Shoot Moments Not Staged Photos

It’s tough, if not impossible to get the family to stop in the middle of the festivities and pose for a photo.  Consider the option of capturing those special holiday moments like opening the presents or carving the Christmas dinner turkey instead of the posed shot. These are the photos that make the memories.

TIP #3- Working With Kids

Every holiday is special but being able to look back at great shots done over the years as your children grow is precious. To get the best shots, take your photos early when the house is not filled with family and friends. One of the easiest shots, of course, is putting up the tree. Give each child an ornament to hang. Capture the laughter and all of the fun. Be sure to get down to eye level. Capture all of the magic from the child’s perspective. Get them talking about Santa and the reindeer. Kids can be unpredictable and that’s where the fun comes in!

TIP #4- Setting The Scene For Great Holiday Photos

Gets points for creativity when choosing an unexpected setting for the holiday shots. Instead of just presents under the tree, take the presents to the beach on Sanibel Island in Florida as an example, for an “anything but ordinary” photo. How about a rustic farm with the newly cut tree?  Keep it simple, keep it festive and keep it fun and you’ll have great holiday photos to share with family and friends.

 

HAPPY HOLIDAYS FROM LASTING IMPRESSIONS PHOTOGRAPHY

 

 

 

 

Dr. Sagini

Dr. Sagini

Doctor

Dennis

Sagini

Orthopedic surgeon

Back Again

Yes, He’s a surgeon, NOT a model

     We photographed Dr. Sagini about 5 years ago for head-shots and he was so photogenic he made it to our company cars wrap signage. This year he and his new Physicians assistant Maggie came to our photo studio for a fresh look!  Both Maggie and the doc probably make me look like a better photographer than I actually am.  With these two, it’s not just good looks & brains, as both  Maggie and Dr. Sagini  have a  genuine way that I’m sure puts their patients at ease.  Below are a few of their favorites from the photo session.  We captured both headshots, 3/4 poses and some full body looks.

Physicians Assistant

Margaret zimmerman

Orthopedic Surgeon

Dr. Dennis Sigini

 

The Burke Family

The Burke Family

It’s those beautiful things in life that we must cherish and not brush past.

It’s 4 a.m. on the Thursday after Valentine’s Day and I just woke up hours before I normally do with my mind whirling.  It’s whirling with the thoughts and interactions that i have with those people that I care about in life, so I decided to write this post.

When you read this slow down.

I often speed read for content, but in this try to read it for feel instead. Think of this as my belated Valentines Day Post. or better a Valentines day that runs into the next.

My choosing a career path as a family photographer has been a gift in so many ways. One of those gifts is seeing the many facets of love. Seeing a couples love for one another warms my heart. I guess you could say I’ve always been a hopeless romantic.

I love romantic movies. I have seen two movies over the last couple weeks that keep running through my mind. One was “Next” (with Nicholas cage and Jessiica Beal) and the other is “Passengers” (with Chris Pratt and Jennifer Lawrence). They both happened to have the same hidden theme and had me tearing up.

They are about finding your soulmate , a puzzle piece that will fit only you… the one that just lights up your life and makes you a better person than you would be if you were alone..

This blog post was supposed to be my first, but I wrote it several times, each time deciding to scrap my hard work. I felt they just never did justice to what I saw in this session with the Burkes, so I couldn’t bring myself to publish them. What I saw was love, but what I was writing about was theory & basic observation in my “get it done” mindset. I missed expressing the underlying beautiful feeling that ties with the movies above. You see, ..not only was this a family session, .. but it was also about the Genesis of the family,  “A Couples Love” (as there were three).

With this thought in your mind….no let me rephrase …”in your soul”,  I am not going to ruin the feel of this session by writing about each photo. Instead I am going to make a Fort Myers beach photographers movie of sorts (slideshow), and let you think about the love that has made the couple, which in turn made the family and then finally the couples!

I’ll end this with a quote I pulled from the end of a movie I watched a while back. It was from one of the “Matrix’s” series. Again, it had me in tears & touched me to to the point of pausing the movie a few dozen times so I could write it down . It wasn’t meant to be about couples or families…or was it?? let the romantic in you, decide? Once read, pause for a moment and think about it.

Here it is (read it very slow and pause at each line break):

Look at us

always rushed, always late

Guess that’s why they call it the human race

But sometimes, it slows down Just enough

for all the pieces to fall in place

Fate works it’s majic and your connected

Every once in a while

among all the randomness

Something unexpected happens and it pushes us all forward

and the truth is

what im starting to think

what I’m starting to feel

is
That maybe the human race

Isn’t a race after all!!

Just wanted to end with a word of thanks to Ashley.  She was my assistant during this session.  Without her expertise and bubly personality, these images wouldn’t have been possible.

Also I wanted to thank the Burkes for letting me be their photographer over the years.  Seeing clients come back not only warms my soul but also fuels my passion as a photographer.

Beauty and the Inexperienced Photographer (Downtown Ft. Myers)

Beauty and the Inexperienced Photographer (Downtown Ft. Myers)

I will be the first to tell you that the camera type/model, equipment used are not what makes for great portraits.  The photographers eye, creativity and a stronghold understanding of basic theory giving control over what is captured will ultimately make that equipment shine.  Imagine handing off the most insanely fast stick shift race car to someone who can’t drive “stick” and see how fast his lap times are (or if he even completes a lap).  So, with that in mind, a pro photographer should be able to pick up just about any camera and with a 2-3 hour peruse of the user’s manual should be back in his element, right?  Maybe, but what he can’t prepare for are those subtleties that can throw you off a bit.  Even ergonomics play a role as professional photographers use their cameras so much, that the button positions are in their subconscious.  This was on my mind when I recently jumped ships with camera systems (Canon to Nikon), and incorporated some new lighting equipment/styles into my workflow as well.   I wanted to test all this stuff out in a “safe” environment, where I would have time to experiment. What I needed was a model both patient and easy to photograph, so I could smooth out the hiccups that could be embarrassing during one of my “not reshootable” sessions!  My friend Nia not only fit the above, but also has an incredible sense of style and has a creative background herself.  Add in that she has a beautifully exotic look & fantastic skin tone, and she was the obvious choice.

We went downtown and it was a very cold day.  It must have been a comical sight to see Nia- (this fashion queen)- wearing my ugly wool vintage army inspired coat over her petite dresses.    I had her following me for miles in her 10” heels.  (she has short woman’s syndrome- she mentioned “I’m 5’2.5” but it says 5’3” on my license”). She was a trooper though, and I never heard a whisper of a complaint (Race car driving, loud music and flying small planes has killed my high pitch hearing though)

In the photos below, I will share some of the theory and thought behind each of the captures.  Due to the nature of this session, no assistant was used, the images aren’t retouched and are pretty much raw files converted.

These first 4 images were shot under the Edison bridge.  Lights were gelled with a 1/8 ctb to correct for the higher wavelength of diffused sun to balance skin tone in the shadows.  I used the inverse  converging lines of the bridge to draw the viewer to Nias face.

This next set came out about as good as I could expect by myself.  The colors aren’t photoshopped.  Just good old technique and mixing the color temp of the lights to the warm tones of the night, and proper in camera kelvin settings created this stunning effect.  The goal in the first one was to take the beautiful warm tones of the sky and create a color but monochromatic effect by using the gold dress. In the others we used the aqua scarf to draw attention to her face, or the jacket to tie with the dock posts. Setting ambient to a base iso of 64, 1/100th sec and f 5ish, gave good separation of subject to background.  The one thing I would change would have been to take two photos for each capture.  One with an assistant “in frame” for lighting Nias’ face, and another without, in which I would remove the assistant post processing.  This would soften the light a bit and eliminate any hard shadows on her neck.

 

This next image (with my butterfly lighting pattern) must have been hysterical to watch.  I had to hold the camera with one hand and a strobe that was barn doored and held high overhead with the other.  For effect, I did it standing on one leg in a crouching tiger pose. (Nia looks unphased in this photo partly because she is into martial arts and sees it done properly all the time, and partly because she knows me well enough to be callous to my silly antics.)

My next “great idea” had Nia rock climbing on slippery mossy rocks in her high heels.  Of course, her hand is holding her head in this photo, thinking, “man what have I gotten myself into”. Even with that in mind, for reasons I’m not sure I can explain, this is my favorite photo of the session.  So much so, that I did a little retouching on this one.  I changed the rocks which were mossy green to the brown that they are now.  This is also one of those shots that highlights the muscle of the new Nikon as even though it was quite dark, I was able to bring out shadow detail that would not have been faintly possible with the old system.  As far as my vision for this image, the attempt was to have the  graduated orange to blue background to be symbiotic to  Nias warm skin to her blue shoes.  Black dress being a neutral.

By the time we got to the next spot, it was pretty dark, which allowed me to sample the low light performance of the new Nikon.  Goal was to center Nia between a set of uprights and use the rest for vanishing effect.  The evening blue light cast just enough tone on the metal to be complimentary to the dress.  Nia also had some blue tones added to her hair by her stylist, which seem to tie this look all together.

By the time we took these last photos, it was pitch black and and my creative juices were fully flowing.   Capturing this first image took the use of 3 lights.  One from slightly camera right,  one to her front and one from behind adding to a flare effect. For the first and second image,  I did use a filter in post processing to give the harsh textures “just enough” smoothness.  I am definitely no sports photographer and  I’m surprised Nia’s head didn’t fly off with the number of times I had her flinging her head before I nailed this shot!  The color theory here was to have the foreground wall blend with her skirt and her top tie in with the background.  We literally wheeled around a suitcase Nia had full of clothes, so getting these color ideas materialized was all the easier (told you she was a fashion queen!)

The last two were shot straight into the wall with a side light skimming over it to enhance the texture.  The attempt was an edgy urban look. Harshness of shadow was intentional, however if I had to do it again, I would have had an assistant scrim her face so I could light it from the short side to eliminate the hair shadow. A filter was used post capture to aid in the urban grunge look.

O.K. so those of you that know Nia, know how fun and smiley she is.  As you see in these photos, while in my testing mode, I managed to pretty much bore her to death.  But wait, I did git a slight grin with the tiger crouch thing!

 

Amongst what I hope to be weekly blogs, Stay tuned for others of experimental nature for test purposes. Providing she can spare the time (she runs a business with her husband, mother of two active kids, and a martial arts expert), Nia will be back.

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